HPL: The Outsider.

On this day in 1937, Howard Phillips Lovecraft passed away.

Quite unintentionally, Lovecraft created a multiverse we now call the Cthulhu Mythos. He encouraged fellow writers to contribute, from Robert Bloch and Clark Ashton Smith to C.L. Moore and Robert E. Howard. Lovecraft influenced Stephen King, Ramsey Campbell and many other writers. The Cthulhu Mythos can be found in RPGs, comics and films too.

The Old Gent will no doubt inspire others as time goes by.

 

Lovecraft is problematic; Robert E. Howard is the same. Edgar Rice Burroughs has raised some issues as well.

Poe had his share of baggage.

People have talked about HPL's antisemitism yet at the same time, his wife Sonia Greene was Jewish, which upset Lovecraft's aunts; Robert Bloch, who was Jewish, had a very close relationship with HPL and considered him as a friend and mentor.

Thousands of Lovecraft's correspondence with friends and fellow writers have been collected over the years; yes, some of the letters reveal his deplorable views -- but it's also been noted that as Lovecraft traveled more and more, from Florida to Quebec, increased contact with other ethnicities slowly changed his views.

Plus, many in the Lovecraft Circle held more progressive views and their communication with Lovecraft, bit by bit, eroded his views. Again, change was slow.

The HP Lovecraft Historical Society addresses the subject:

'We recognize that Lovecraft was racist in his personal views, and grapple constantly with the challenge of reconciling apprehensions about the man with appreciation for his artistic creations. We strive to recontextualize those creations for a new era. We fully agree that Black lives matter. We can’t change Lovecraft, but we can help change our world. We must evaluate the past unflinchingly, see the present honestly, and embrace changes to create a future that brings justice and equality to everyone. To pursue that change, the HPLHS donates a portion of its profits to the NAACP Legal Defense Fund. Further, we do our best to work with a diverse team of artists to ensure that the products we make are inclusive and welcoming to all."

Chaosium, who publishes the now classic Call of Cthulhu RPG -- now in its seventh edition and still responsible for introducing Lovecraft and the Cthulhu Mythos to many -- share a similar response:

Q: Wasn't H.P. Lovecraft a terrible racist?

A: Yes, he was. Lovecraft was a complex and troubled person in life. He was a wonderful writer with a wondrous imagination, a friend to many, and part of a corresponding group of writers (that included Robert E. Howard, Clark Ashton Smith, and others) that created the genres of horror and heroic fantasy as we know it. He also wrote things that were racist, and anti-Semitic, and probably misogynistic as well. His fear of the "Other", "infecting" the body of "old stock" definitely influenced his writing, and can be seen in things like Shadows Over Innsmouth, The Horror at Red Hook, and The Thing on the Doorstep. But these were also major anxieties of his time, shared by many others—Lovecraft's horror is many of the deep fears of the modern world (and includes the fear that not only is there no benevolent God but that the "gods" are outright malevolent and hate us). Lovecraft's cosmos is a howling abyss and none dare stare too long into it without becoming a monster.

The world back then was darker as open displays of racism and antisemitism were not only acceptable but even encouraged. Segregation and even eugenics were legal throughout the United States.

Today, we value the Constitution yet we have to remind ourselves that the Founding Fathers themselves didn't have progressive views. We have to remember that Susan B. Anthony, Elizabeth Cady Stanton and other suffragists held racist views as well.

Today, many people who read and love the Cthulhu Mythos and even write it are also Jewish, LGBTQ, POC -- Lovecraft events draw a wildly diverse group of fans, scholars and writers.

I agree with the views from the HPLHS.

Lovecraft and others who wrote Cthulhu Mythos stories have been a big influence on my own writing. I love those stories. But I don't forget that Lovecraft and Howard had some beliefs I strongly disagree with.

SussuSudowrite.

I decided to give Sudowrite, the AI writing tool, a try. Hugh Howey, has used it and loved it; I’ve heard other good things from others, so I decided to give it a try. Now, it’s an AI assisted tool not generative. It’s like Grammarly on steroids and does more; it reminds me of being back in the newsroom, having that peer review which I found useful back in the day. In fact, reminds me of a writing tool software I used over a decade. It helps with tracking chapters and other things; when I have problems with a big rewrite and I’m hitting a wall, I can do quick rewrite, mix and match here or there.

I plugged various sections into a analysis box and I got the following—the last paragraph is a condensed version.

**Analysis of Writing Style**

**Tone and Mood:** The tone is gritty and cynical, reflecting a dystopian world filled with crime and moral ambiguity. The mood oscillates between chaotic vibrancy and dark foreboding, creating an atmosphere that is both lively and unsettling.

**POV:** The narrative is told in the first-person point of view, allowing readers to experience the protagonist's thoughts and feelings directly. The tense is predominantly in the present, which adds immediacy to the unfolding events.

**Vocabulary and Word Choice:** The vocabulary is a mix of technical jargon and colloquial language, reflecting a futuristic setting. There is a blend of formal and informal word choices, with a penchant for specificity (e.g., "suborbital shuttlecraft," "biosynth humanoid-looking bot"). The use of cultural references and slang adds depth to the world-building.

**Sentence Structure:** The sentences vary in length and complexity, with a mix of concise statements and longer, descriptive passages. The author employs fragments for emphasis and uses complex sentences to convey intricate ideas, creating a dynamic flow.

**Pacing and Rhythm:** The pacing is brisk, particularly during action sequences, while moments of introspection slow the narrative down. The rhythm is punctuated by short, punchy sentences that heighten tension, interspersed with longer, more descriptive passages that provide context and detail.

**Dialogue:** Dialogue is characterized by a mix of formality and informality, reflecting the diverse backgrounds of the characters. The protagonist's voice is sardonic and observant, with a tendency to critique the absurdities of the world around them. Unique dialogue tags and interruptions enhance the realism of conversations.

**Descriptive Style:** The author employs vivid sensory imagery, using detailed descriptions to create a rich visual landscape. The use of bioluminescent flora and the contrast between modern architecture and retro fashion adds depth to the setting. Descriptions are often layered with emotional undertones, enhancing the reader's connection to the narrative.

**Themes and Motifs:** Recurring themes include cultural diversity, the complexities of identity, and the moral ambiguities of society. Motifs of surveillance, technology and crime permeate the narrative, reflecting the protagonist's struggle within a corrupt system.

**Cultural and Historical Context:** The piece reflects a futuristic, multicultural society influenced by various cultural elements from the 20th century. The blending of styles and the presence of crime syndicates suggest a commentary on societal decay and the persistence of human vices across time.

Overall, the writing style is characterized by its intricate world-building, sharp wit and a blend of humor and darkness, creating a compelling narrative that invites readers to explore a complex and flawed society.

Gritty and cynical, the first-person narrative unfolds in present tense, blending technical jargon with colloquial language. Vivid imagery and varied sentence structures create a chaotic yet immersive atmosphere, reflecting a dystopian world rife with moral ambiguity and cultural complexity.

I've been worried if I was hitting all the marks I'd set for myself and, to be honest, it's been stressful and leading to downward spiraling depression.I feel better, I'm hitting those marks and I feel good about it.

I feel good about myself.

Be seeing you.

-30-

 

The Zedverse: It’s Zed’s world—and we just live in it.

 Hello there.

Welcome to the Cortex Online. This is my website for the Zedverse stories—plus my opinions, views and everything else I want to post. Yes, I’ve tried the Midnight Eye blog before . . . but it went nowhere. I’ve imported old posts that I wanted to keep but having a new website just feels good. A fresh start. One caveat: This website/blog is a work in progress, it’s in a constant state of flux. Various sections will be updated often.

Night Zero is the first novel in the Zedverse series; it’s split into a number of intertwined novellas and novelettes that’ll introduce the protagonist, Zed, and a late 2090s Earth that has a slightly different history—in fact, even the star system is different from ours. The first chapter, “My Echo, My Shadow . . . And Me,” is currently being written.

I plan on releasing the novella as both a paperback edition and an eBook via Amazon KDP. Yes, I’ve been dismissive of self-publishing in the past; I mean, I was something of a sneering rat bastard about the whole concept until noticing that a lot of my favorite writers are turning to self-publishing. Traditional publishing is a nightmare to deal with if you don’t have an agent. The independents are somewhat unstable, at times imploding and leaving writers in the lurch, their unpublished novels in a copyright quagmire. It’s a nightmare.

So, Amazon KDP it is.

What’s the Zedverse and Night Zero about?

Well. Let’s see:

The Zedverse has both cyberpunk and transhuman themes—there are dystopian and near-utopian elements in the stories. Pluto is still a planet and a small, rocky slag heap of a planet named Vulcan is located between the Sun and Mercury; all of the terrestrial planets and large moons have been terraformed—including Venus’ moon, Ishtar. And, from time to time, ancient ruins left behind by alien civilizations have been discovered.

Planets, moons and asteroids have been colonized, even a small number of comets. Orbital habs and drifts—similar to orbital habs but drifting in interplanetary space—are scattered about the Sol star system. Chimpanzees, orangutans, gorillas, mandrills, octopi, dolphins and even orcas have been gengineered to have human-level intelligence; some live in independent city-states and others live alongside humans.

Cthulhu Mythos exists. The Shaver Mystery is real.

Oh, there’s oh so much more.

But that’s a story for another day.

Until next time.

Be seeing you.

-30-