Showing posts with label sf/f tv series. Show all posts
Showing posts with label sf/f tv series. Show all posts

26 February 2026

The 1970s TV Science Fiction Renaissance: The Fantastic Journey



Lost in the Devil's Triangle, trapped in a dimension with beings from the future and other worlds, a party of adventurers journey through zones of time back to their own time. Varian, a man from the 23rd century, possessing awesome powers; from 1977; Fred, a young doctor just out of medical school; Scott Jordan, the thirteen-year-old son of a famous scientist; Liana, daughter of an Atlantean father and an extraterrestrial mother; and Jonathan Willaway, a rebel scientist from the 1960s. Together they face the frightening unknown on . . . The Fantastic Journey.”

The Fantastic Journey was an American science fiction television series that was originally aired on NBC from February 3 through June 16, 1977. It was originally intended to run 13 episodes, as a mid-season replacement, but NBC cancelled the series in April, after the ninth episode aired. A tenth episode, already produced, was broadcast two months later.

Star Wars was still a few months away but the Bermuda Triangle was popular, thanks to Charles Berlitz’ bestselling book—which spawned more books about the Triangle and even a number of documentaries and TV specials. Hollywood wanted to cash in on the craze.


Writer-producer Bruce Lansbury—Angela’s brother—had an idea for a series. Lansbury was the creative force behind such wildly popular genre favorites, The Wild, Wild West and Mission: Impossible, presented the story of a group of scientists and adventurers who find themselves trapped in the Triangle and throughout the series, they’d travel from one time zone to the next, seeking the right portal that will take them home.

D.C. “Dorothy” Fontana—who wrote some of the best Star Trek episodes—was hired to work in the writers’ room.

A scientific expedition brings a family and their colleagues to the Caribbean aboard a chartered vessel—crewed by veteran character actors, Leif Ericson and Scott Brady. Their journey takes an unexpected turn in the Bermuda Triangle when they sail through an otherworldly green mist filled with phantom bell sounds. The encounter leaves them stranded on an enigmatic island with no apparent way to return home.

The main characters:

Varian (Jared Martin) is a man from the 23rd century endowed with extraordinary abilities channeled through a crystalline “ tuning fork” device called the Sonic Energizer. By focusing his thoughts into the Energizer, he can manipulate matter sonically—unlocking doors, disrupting electrical systems, unleashing widespread destruction, or performing diagnostics and healing. The device responds only to him. When Professor Paul Jordan departs at the end of the pilot film, Varian steps in as the group’s de facto leader and assumes a fatherly role toward Jordan’ s teenage son, Scott—a dynamic highlighted in episodes like “ An Act of Love” and “ Turnabout.”

Scott Jordan (Ike Eisenmann) is the 13-year-old son of a prominent scientist. Though he possesses a solid understanding of Earth’s history and major events, his youth means he still has plenty to learn.

Dr. Fred Walters (Carl Franklin) is a newly graduated physician whose hot-headed, impulsive nature contrasts sharply with Varian’s calm pacifism. A longtime friend of Scott’s father and the only other member of the team from their original era, the athletic Black doctor naturally takes on a protective, older-brother role with Scott.

Liana (Katie Saylor) is born of an Atlantean father and an extraterrestrial mother. Her alien heritage grants her superhuman strength—owing to her mother’s high-gravity home world—and powerful psychic abilities, such as telepathic communication with animals, especially her cat, Sil-El. Saylor left the series after “Turnabout” due to illness; in the subsequent episode, “Riddles,” it’s explained that Liana stayed behind on Coriel to help its inhabitants establish a new government and would rejoin the travelers later.

Dr. Jonathan Willoway (Roddy McDowall) is a rebel scientist from the 1960s whose mastery of computers, robotics, and scientific theory proves invaluable. He resembles Lost in Space’s Dr. Smith in his untrustworthy, self-interested streak, though he lacks Smith’s cowardice. Over time, Willoway forms genuine bonds with Scott and the others, becoming more integrated into the group—despite Dr. Walters’s lingering mistrust, which fuels a constant, Spock-and-McCoy–style banter between them.

Sil-El (the Felix Team) is Liana’s tuxedo cat and telepathic companion. Often sent ahead as her eyes and ears, Sil-El scouts dangerous territory and relays vital information back to her.



The pilot episode "Vortex" concludes with the departure of Professor Paul Jordan, Scott's father, from the series. While exploring Atlantium, the travelers become separated. Later, Scott learns from the Atlanteans that his father and two companions have been transported back to their own time period. Dar-L, an Atlantean leader, hands Scott a letter purportedly from his father. In it, the Professor reassures his son that Varian and Fred will protect him, while explaining he must return to Scott's mother, who waits anxiously at home.

This narrative decision facilitated the show's cast reorganization but struck many viewers as implausible—what father would willingly leave his teenage son stranded in a perilous interdimensional realm?

The pilot also starred Ian McShane with Gary Collins and wife Mary Ann Mobley appearing as Alantean villains. Future guest actors in included John Saxon, Joan Collins, Cheryl Ladd, Richard Jaeckel, Lew Ayres and other ‘70s’ veteran character actors.

But no Dabbs Greer or Whit Bissel.

However, Don Adams had a voiceover cameo.

McDowell’s casting was a few years after the canceled Planet of the Apes series. While he could have been the series’ scheming foil like Lost in Space’s Dr. Smith, Willoway became roguish ally who grew fond of Scott and always willing to protect the rest of the group. It was a pleasant change of pace for such characters and a nice role for McDowell.

The pilot also starred Ian McShane with Gary Collins and wife Mary Ann Mobley appearing as Alantean villains. Future guest actors in included John Saxon, Joan Collins, Cheryl Ladd, Richard Jaeckel, Lew Ayres and other ‘70s’ veteran character actors.

But no Dabbs Greer or Whit Bissel.

However, Don Adams had a voiceover cameo.

McDowell’s casting was a few years after the canceled Planet of the Apes series. While he could have been the series’ scheming foil like Lost in Space’s Dr. Smith, Willoway became roguish ally who grew fond of Scott and always willing to protect the rest of the group. It was a pleasant change of pace for such characters and a nice role for McDowell.

Nearly 50 years later, The Fantastic Journey had the potential of being a fascinating series, given it had survived and given a few 22-episode run. The Triangle and its myriad Time Zones offered a wealth of interesting cultures and equally intriguing storylines. Like many of these '70s' SF series, there was a lot of cheesy fun and wonderful characters that deserved more than one mere season of storytelling. I rewatched the entire 10-episode run on the Sci-Fi Channel—back when the Sci-Fi Channel lived up to its name and was cool to watch—and I loved it. The 28-year-old me loved it as much as the 12-year-old me; the writing was fine and the actors did a good job, despite budgetary limitations. Thanks to the miracle of DVDs, the first season is in my library.

After the series cancellation, most of the writers and production crew would go onto to work on another one season wonder, Logan’s Run.

But that’s a blog for another day.

Be seeing you.

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06 August 2025

My Own Private Reset . . . .

 And . . . I’m back!

Sometimes—as we all know—things don’t go as planned, this blog, for example. Until serious health issues happened, I had a lot of big plans . . . I still do but there’s a lot of catching up to do. Like my series of articles about the TV series produced in the 1970s; with Hallowe’en over 80-plus days away, expect some paranormal-themed articles and a look at the first cinematic universe, the Universal horror films. I’ll also write about paranormal podcasts I’ve been following on YouTube—there a lot of problematic even outright offensive and bad podcasts and a few good ones.

There are a lot of major genre news too. The first four episodes of Stranger Things’ fifth and final season drops on Wednesday, 26 November; the second set of episodes will hit Netflix on Xmas Eve and the last feature-length episode debuts on New Year's Eve.

December will also see Fallout’s second series dropping on Amazon Prime—now date hasn’t been released yet. This season, we’ll find Lucy, the Ghoul (aka Cooper Howard), Dogmeat and Brotherhood of Steel Knight Maximus in the quasi-civilized New Vegas. According to production photos, the New Vegas sets look great and we’ve seen NCR troopers and Rangers, salvaged NCR powered armor, Securitron robots, Deathclaws and Caesar’s Legion. In interviews, the cast have said “a lot of wild shit” happens and I’m looking to see how both character arcs and their dynamics will change.

I’m hoping all the episodes will drop at once—it worked well last season and I think they will repeat the same strategy.

So.

Will we see Felicia Day as BoS scribe, Veronica and Danny Trejo as Ghoul gunslinger, Raul Tejada? In the game, Wayne Newton voiced the AI called Mr. New Vegas and will he do it again? Actor Michael Hogan played Doc Mitchell but Hogan’s had debilitating health problems and, sadly, Matthew Perry passed a few years back—no Benny, not even flashbacks unless the character is recast. MAGAt bootlicker and actor Zacharay Levi’s Arcade Gannon might be re-casted . . . by Macaulay Culkin. I’m fine with it.

Well, that’s it for now.

I hope you all will be checking out the website and I’m looking forward to your comments.

Be seeing you!

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16 September 2024

The SF/F TV Series Renaissance of the 1970s: UFO

















































This week in 1970, the cult classic TV series, UFO, debuted. It became popular in both the UK and the United States and a second series (season, here in the States) was planned but it later became Space: 1999.

UFO was the first live-action series created and produced by Gerry Anderson (Fireball-XL5, Thunderbirds, Captain Scarlett). It was dark at times, downbeat; innocent, unaware civilians got caught in the crossfire and paid a terrible price—it was, after all, about a secret organization fighting an invasion of organ-harvesting aliens.

Instead of The X-Files saying “Trust no one,” UFO said “Trust us.”

From Wikipedia:

The series’ premise is that in 1980, Earth is being visited by aliens from a dying planet, who are abducting humans and harvesting their organs for their own bodies. The alien incursions may also be a prelude to a possible full-scale invasion. The series' main cast of characters are the staff of a secret, high-technology international military agency called SHADO (an acronym for Supreme Headquarters Alien Defense Organization) established by the governments of the United Kingdom, the United States, the Soviet Union, France and Germany (believed to be West Germany as the city of Bonn is mentioned along with Washington, Paris and Moscow) to defend Earth and humanity against the mysterious aliens and learn more about them, while at the same time keeping the threat of an alien invasion hidden from the public.

Operating under the cover—as well as literally beneath the premises—of the Harlington-Straker Studios movie studio in England, SHADO is headed by Commander Edward Straker (Ed Bishop), a former United States Air Force colonel and astronaut, whose "cover" is his role as the studio's chief executive.

SHADO has a variety of high-tech hardware and vehicles at its disposal to implement a layered defense of Earth. Early warnings of alien attack came from SID, the Space Intruder Detector, an unmanned computerized tracking satellite that constantly scans for UFO incursions. The forward line of defense is Moonbase from which the three lunar Interceptor spacecraft, that fire a single explosive warhead, are launched. The second line of defense includes Skydiver, a submarine mated with the submersible, undersea-launched Sky One interceptor aircraft, which attacks UFOs in Earth's atmosphere. The last line of defense is ground units including the armed, IFV-like SHADO Mobiles, fitted with caterpillar tracks.

On Earth, SHADO also uses two SHADAIR aircraft, a Seagull X-ray supersonic jet; a transatlantic Lunar Carrier with a separating Lunar Module; a helicopter (actually, a small VTOL airplane with large rotating propellers; and a radio-controlled Space Dumper. The Moonbase has hovercraft-like Moon Hoppers/Moon mobiles that can be deployed for transportation or reconnaissance.

The alien race is never given a proper name, either by themselves or by human beings; they are simply referred to as "the aliens". They are humanoid in appearance, and the post-mortem examination of the first alien captured reveals that they are harvesting organs from the bodies of abducted humans to prolong their lifespans. However, the later episode “The Cat with Ten Lives” suggests that these "humanoids" are actually beings subject to alien mind control, and one “alien” body recovered was suspected of being completely Homo sapiens, "possessed" by one of the alien minds.

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In UFO, characters bickered and, at times, it was apparent they didn’t like each other. There was rarely any lighthearted fare or snappy, witty banter like the relationship between Kirk, Spock and McCoy; the storylines were also played straight and serious. Despite not being Star Trek or Lost in Space, UFO was a dark, moody and somber alternative to contemporary SF series—and I think that’s what people loved, and still love, about it. Again, the series is set in 1980 but the fashions including the Nehru jackets—that could be cringy but the rest of the series is still engaging. The opening theme by longtime Anderson associate, Barry Gray, is still amazing after these years. The special effects. The cast of British, American and Canadian actors were great—one of them, Wanda Ventham, who was Col. Virgina Lake, is more famously known as Benedict Cumberbatch’s mother.

It was different. Fresh. New. It’s easy to see why UFO has had a major impact on the genre and fandom for the last fifty-plus years; you can watch online and DVDs are available—yes, I have the complete series set. You can find the series here: 

The series is, yes, dated. I’m certain some will be upset by some of the sexism but, hey, it was 1970. No reason to get one’s knickers in a bunch. Cheesy yes but, as I’ve mentioned begore, it’s dark, paranoid and not a plucky comedic sidekick in sight.

UFO, in my opinion, was the first of the 1970s’ renaissance of SF series. It had a big impact on me as I a kid and I still love revisiting it over the years.

Watch and enjoy.

Be seeing you.

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The 1970s TV Science Fiction Renaissance: The Fantastic Journey

“ Lost in the Devil's Triangle, trapped in a dimension with beings from the future and other worlds, a party of adventurers journey thr...